PrepTest 94+, Section 4, Question 22
An effective acting performance does not call the audience's attention to the fact that it is a performance. That would make it more difficult for the audience to empathize with the character the actor is playing, and effective dramatic performances do not detract from the audience's appreciation of a play.
An effective acting performance does not call the audience's attention to the fact that it is a performance. That would make it more difficult for the audience to empathize with the character the actor is playing, and effective dramatic performances do not detract from the audience's appreciation of a play.
An effective acting performance does not call the audience's attention to the fact that it is a performance. That would make it more difficult for the audience to empathize with the character the actor is playing, and effective dramatic performances do not detract from the audience's appreciation of a play.
An effective acting performance does not call the audience's attention to the fact that it is a performance. That would make it more difficult for the audience to empathize with the character the actor is playing, and effective dramatic performances do not detract from the audience's appreciation of a play.
The argument's conclusion follows logically from the premises if which one of the following is assumed?
An audience will not completely appreciate a play unless all of the acting performances in the play are effective.
As long as an acting performance does not call the audience's attention to the fact that it is a performance, it will not detract from the audience's appreciation of a play.
If a performance by an actor in a play enhances the audience's appreciation of the play, then the play as a whole is better as a result.
An effective dramatic performance in a play will enhance the audience's appreciation of the play.
A dramatic performance that makes it more difficult for the audience to empathize with the actor's character detracts from the audience's appreciation of the play.
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