PrepTest 87, Section 3, Question 19
Most movie critics believe that sentimentality detracts from aesthetic value. But these critics are wrong, since the reason they hold this belief is that sentimentality pervades so many movies that its absence makes a movie more interesting to frequent movie-goers like themselves. It is like someone whose food is usually prepared with a certain type of flavoring concluding that the flavoring itself detracts from the quality of the food.
Most movie critics believe that sentimentality detracts from aesthetic value. But these critics are wrong, since the reason they hold this belief is that sentimentality pervades so many movies that its absence makes a movie more interesting to frequent movie-goers like themselves. It is like someone whose food is usually prepared with a certain type of flavoring concluding that the flavoring itself detracts from the quality of the food.
Most movie critics believe that sentimentality detracts from aesthetic value. But these critics are wrong, since the reason they hold this belief is that sentimentality pervades so many movies that its absence makes a movie more interesting to frequent movie-goers like themselves. It is like someone whose food is usually prepared with a certain type of flavoring concluding that the flavoring itself detracts from the quality of the food.
Most movie critics believe that sentimentality detracts from aesthetic value. But these critics are wrong, since the reason they hold this belief is that sentimentality pervades so many movies that its absence makes a movie more interesting to frequent movie-goers like themselves. It is like someone whose food is usually prepared with a certain type of flavoring concluding that the flavoring itself detracts from the quality of the food.
The reasoning in the argument is flawed in that the argument
is based solely on an inappropriate appeal to authority
rejects a position merely on the grounds that someone who argues for it has an ulterior motive
takes a necessary condition for a movie's being of high aesthetic value to be a sufficient condition for this
concludes that a view is false merely on the grounds of how people came to believe it
takes what is sufficient for diminishing the quality of a work to be necessary for doing so
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