PrepTest 68, Section 3, Question 1
Curator: Critics have rightly claimed that removing the centuries-old grime from the frescoes of Michelangelo will expose them to acids formed by the combination of water vapor in human breath with pollutants in the air. Notwithstanding this fact, the restoration should continue, for the frescoes in their present condition cannot be seen as they appeared when painted by Michelangelo.
Curator: Critics have rightly claimed that removing the centuries-old grime from the frescoes of Michelangelo will expose them to acids formed by the combination of water vapor in human breath with pollutants in the air. Notwithstanding this fact, the restoration should continue, for the frescoes in their present condition cannot be seen as they appeared when painted by Michelangelo.
Curator: Critics have rightly claimed that removing the centuries-old grime from the frescoes of Michelangelo will expose them to acids formed by the combination of water vapor in human breath with pollutants in the air. Notwithstanding this fact, the restoration should continue, for the frescoes in their present condition cannot be seen as they appeared when painted by Michelangelo.
Curator: Critics have rightly claimed that removing the centuries-old grime from the frescoes of Michelangelo will expose them to acids formed by the combination of water vapor in human breath with pollutants in the air. Notwithstanding this fact, the restoration should continue, for the frescoes in their present condition cannot be seen as they appeared when painted by Michelangelo.
Which one of the following principles, if valid, most helps to justify the curator's reasoning?
The decision as to whether an artwork merits restoration or not should depend on its greatness as judged by aesthetic standards alone.
An artwork possesses aesthetic value only if there are people who observe and appreciate it.
It is acceptable to risk future damage to an artwork if the purpose is to enable it to be appreciated in its original form.
It is right to spend large amounts of money on the restoration of an old artwork if this restoration makes the artwork accessible to large numbers of people.
A picture that has become encrusted with grime over a long period can no longer be regarded as the same work of art as that painted by the artist.
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