PrepTest 58, Section 2, Question 10
Music historian: Some critics lament the fact that impoverished postwar recording studios forced early bebop musicians to record extremely short solos, thus leaving a misleading record of their music. But these musicians' beautifully concise playing makes the recordings superb artistic works instead of mere representations of their live solos. Furthermore, the conciseness characteristic of early bebop musicians' recordings fostered a compactness in their subsequent live playing, which the playing of the next generation lacks.
Music historian: Some critics lament the fact that impoverished postwar recording studios forced early bebop musicians to record extremely short solos, thus leaving a misleading record of their music. But these musicians' beautifully concise playing makes the recordings superb artistic works instead of mere representations of their live solos. Furthermore, the conciseness characteristic of early bebop musicians' recordings fostered a compactness in their subsequent live playing, which the playing of the next generation lacks.
Music historian: Some critics lament the fact that impoverished postwar recording studios forced early bebop musicians to record extremely short solos, thus leaving a misleading record of their music. But these musicians' beautifully concise playing makes the recordings superb artistic works instead of mere representations of their live solos. Furthermore, the conciseness characteristic of early bebop musicians' recordings fostered a compactness in their subsequent live playing, which the playing of the next generation lacks.
Music historian: Some critics lament the fact that impoverished postwar recording studios forced early bebop musicians to record extremely short solos, thus leaving a misleading record of their music. But these musicians' beautifully concise playing makes the recordings superb artistic works instead of mere representations of their live solos. Furthermore, the conciseness characteristic of early bebop musicians' recordings fostered a compactness in their subsequent live playing, which the playing of the next generation lacks.
The music historian's statements, if true, most strongly support which one of the following?
Representations of live solos generally are not valuable artistic works.
The difficult postwar recording conditions had some beneficial consequences for bebop.
Short bebop recordings are always superior to longer ones.
The music of the generation immediately following early bebop is of lower overall quality than early bebop.
Musicians will not record extremely short solos unless difficult recording conditions force them to do so.
Explanations
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