PrepTest 43, Section 2, Question 1
Pettengill: Bebop jazz musicians showed their distaste for jazz classics by taking great liberties with them, as though the songs could be made interesting only through radical reshaping.
Pettengill: Bebop jazz musicians showed their distaste for jazz classics by taking great liberties with them, as though the songs could be made interesting only through radical reshaping.
Romney: Only compelling, versatile songs can stand such radical reshaping. Bebop musicians recognized this, and their revolutionary approach to the jazz classics enabled them to discover previously unknown depths in the music.
Pettengill: Bebop jazz musicians showed their distaste for jazz classics by taking great liberties with them, as though the songs could be made interesting only through radical reshaping.
Romney: Only compelling, versatile songs can stand such radical reshaping. Bebop musicians recognized this, and their revolutionary approach to the jazz classics enabled them to discover previously unknown depths in the music.
Pettengill: Bebop jazz musicians showed their distaste for jazz classics by taking great liberties with them, as though the songs could be made interesting only through radical reshaping.
Pettengill and Romney disagree over whether
bebop jazz was radically different from the jazz music that preceded it
bebop jazz was an improvement on the jazz classics that preceded it
bebop musicians showed appreciation for jazz classics in radically reshaping them
jazz music requires musicians to adhere closely to the original version in order to be widely popular
bebop musicians were influenced by the more conservative styles of their predecessors
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