PrepTest 37, Section 2, Question 15
Literary critic: The meaning of a literary work is not fixed but fluid, and therefore a number of equally valid interpretations of it may be offered. Interpretations primarily involve imposing meaning on a literary work rather than discovering meaning in it, so interpretations need not consider the writer's intentions. Thus, any interpretation of a literary work tells more about the critic than about the writer.
Literary critic: The meaning of a literary work is not fixed but fluid, and therefore a number of equally valid interpretations of it may be offered. Interpretations primarily involve imposing meaning on a literary work rather than discovering meaning in it, so interpretations need not consider the writer's intentions. Thus, any interpretation of a literary work tells more about the critic than about the writer.
Literary critic: The meaning of a literary work is not fixed but fluid, and therefore a number of equally valid interpretations of it may be offered. Interpretations primarily involve imposing meaning on a literary work rather than discovering meaning in it, so interpretations need not consider the writer's intentions. Thus, any interpretation of a literary work tells more about the critic than about the writer.
Literary critic: The meaning of a literary work is not fixed but fluid, and therefore a number of equally valid interpretations of it may be offered. Interpretations primarily involve imposing meaning on a literary work rather than discovering meaning in it, so interpretations need not consider the writer's intentions. Thus, any interpretation of a literary work tells more about the critic than about the writer.
Which one of the following is an assumption required by the literary critic's argument?
There are no criteria by which to distinguish the validity of different interpretations of literary works.
A meaning imposed on a literary work reflects facts about the interpreter.
A writer's intentions are relevant to a valid interpretation of the writer's work.
The true intentions of the writer of a work of literature can never be known to a critic of that work.
The deepest understanding of a literary work requires that one know the writer's history.
0 Comments